However, the idea of parking lots – also as negatives of cars – is more satisfying than pictures of parking lots. I also thought about showing pictures of parking lots. It is a movement exhibition because of the weather etc. Figures of sleep and of a death that is transient. Mirror panels on its back reflect as if drunk. An additional wall has interrupted the almost square floor plan and blocked the empty centre. Or how passive-aggressive is photography?
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It can be read as a figure of negativity or a medium for Aufhebung. Photography describes a relation between light and delay. Are reworked grape pictures more realistic? Deeply realistic through alienation? An exhausted leaning-against in Photoshop. It was weakness that first led me to Photoshop. And you cannot., you cannot yank them open. And you will talk about it.ĭark realities. Or the darkness opens the exhibition towards something else. Anyways they are less able, fail in their being an image or at least their being exhibited, because the day is already missing. They withdraw, realize themselves badly, or not at all. And at this time the pictures prefer not to function. And yet, twice, something is being removed.Īt the day of the opening, the 22 nd of November, the sun will have already set by 4.08 pm. Removing the light is a reverse movement to the addition of colour on the mounting of the rails. Maybe the winter date is not the best for this.
![vienna secession light vienna secession light](https://a.1stdibscdn.com/stunning-1910s-vienna-secession-alabaster-and-brass-six-light-pendant-chandelier-for-sale-picture-3/f_23413/f_171566221575822990256/787311E8_F69C_46A7_B3E7_3C3D01A25A59_master.jpeg)
I thought wine grapes go well with Austria. They show grapes and grapes in white chocolate. On view are radiant pigment prints, very colourful – I should limit the colours – almost clownish pictures – this would be cooler. This exhibition needs – no demands grey daylight. Almost as if I could throw them towards you. The dark grey mountings of the handrails – now there are two for security purposes – disappear in the colour of the wall. The exhibition starts in the staircase to the Kabinett with a colour application that will be overlooked. Lisa Holzer What carries you? November 23, 2019 – February 9, 2020Īt first something disappears.